JOURNALISM CLIPS
Samples of freelance journalism work
Cultural Criticism
"On Norman F***ing Rockwell! and the Politics of Americana" Broad Recognition, 2019
"The Devil Wears Scrunchies: Stranger Things, Capitalism, & the Failure of its Feminism" Broad Recognition, 2019
"Beyond Representation: On Always Be My Maybe, Class Division, & Gentrification" Broad Recognition, 2019
"On Ariana Grande, Princess Nokia & Blackfishing" Broad Recognition, 2019
"The Case Against Diane Nguyen" Broad Recognition, 2018
Reporting
"Community Voices Concern Over Police Brutality at Hamden Commissioner's Meeting" Broad Recognition, 2019
"#Moms4Housing Victory: Houseless Mothers Strike Land Trust Deal" Broad Recognition, 2020
Miscellaneous Op-eds
"For Fraternity Abolition" Broad Recognition, 2019
"Behind the counter" Yale Daily News, 2019
"Rebuttal: 'Abortion Isn't Mercy' by Julian Assele" Broad Recognition, 2019
Humor Writing
"The Anatomy & Psychology Of: The 216 Softboy" Broad Recogntion, 2018
"The Anatomy & Psychology Of: The Anti-Yale Yalie" Broad Recognition, 2019
"The Anatomy & Psychology Of: The Directed Studies Socialist Boi" Broad Recognition, 2019
Excerpt from "Beyond Representation: On Always Be My Maybe, Class Division, & Gentrification"
"Representation is more than casting Asian American actors to play nondescript characters. Particularly for Asian Americans, whose stories are so often marginalized and misrepresented, true representation is about telling the wide range of Asian American experience. Visibility becomes most powerful when it goes beyond tokenization and into human moments, from removing splinters from chopsticks to driving past old memories on Irving Street. Representation is not the be-all, end-all of Asian American liberation from hegemony. For a long time, Asian American media presence was marked by misrepresentation, including yellowface and the perpetuation of harmful stereotypes. As we enter a new era of Asian American representation, these reflections of ourselves grant us the opportunity to see the stories history has rendered invisible for so long. For many, visibility allows us to see ourselves. Though Always Be My Maybe may follow several romantic comedy tropes, it holds up a mirror to the vast nuances in Asian American identity. It is through this mirror that we may be able to see the challenges we face as a community—for example, economic inequality, displacement, and colorism—and ultimately overcome them."